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Ralf Kaspers is a contemporary German photographer.
He is attracted by monumental themes (nature, cityscapes, architecture) as well as ornamental microcosm consisting of countless combinations of identical small objects.
The constant change of themes and subjects allows the author to explore in detail the most important artistic categories such as form, texture and rhythm.
Ralf Kaspers is a contemporary German photographer.
He is attracted by monumental themes (nature, cityscapes, architecture) as well as ornamental microcosm consisting of countless combinations of identical small objects.
The constant change of themes and subjects allows the author to explore in detail the most important artistic categories such as form, texture and rhythm.
Ralf Kaspers is a contemporary German photographer.
He is attracted by monumental themes (nature, cityscapes, architecture) as well as ornamental microcosm consisting of countless combinations of identical small objects.
The constant change of themes and subjects allows the author to explore in detail the most important artistic categories such as form, texture and rhythm.
Benjamin Katz is a contemporary German artist, photographer and actor of Belgian origin.
He is known mainly for his photographs of artistic and cultural events. From 2006-2008, he taught photography at the Academy of Fine Arts in Düsseldorf. He has participated in a number of international exhibitions.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Helmut Newton (born Helmut Neustädter) was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Bernhard (Bernd) Becher and Hilla Becher were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the 'Becher school' or the 'Düsseldorf School' they influenced generations of documentary photographers and artists. They have been awarded the Erasmus Prize and the Hasselblad Award.
Peter Fischli and David Weiss, often shortened to Fischli/Weiss, were a Swiss artist duo that collaborated beginning in 1979. Their best-known work is the film Der Lauf der Dinge (1987), described by The Guardian as being "post apocalyptic", as it concerned chain reactions and the ways in which objects flew, crashed and exploded across the studio in which it was shot.
Daniel Graham was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television.
Albert Renger-Patzsch was a German photographer associated with the New Objectivity.
